The Avatāra and Its “Incarnation” in a Postmodern World

Authors

  • Naamleela Free Jones

Keywords:

Avatar, Avatara, Hinduism, Incarnation, Postmodernism, Digital Culture, Cultural Appropriation, Vishnu, Dashavatara, Sacred, Secular, James Cameron

Abstract

The article " The Avatāra and Its “Incarnation” in a Postmodern World" by Naamleela Free Jones examines the evolution of the term avatar from its sacred origins in Hinduism to its widespread secular usage in contemporary culture. The author begins by reflecting on her personal experience with James Cameron's film Avatar and her father, a spiritual teacher who adopted the title "Avatar," prompting a discussion on the appropriate representation of this profound concept. Jones traces the etymological roots of avatara in Sanskrit, meaning "descent" or "incarnation" of the divine, and highlights its mythological development, particularly as the dashavatara of Vishnu. She then details the appropriation of the term into popular global imagination, noting its reduction in meaning from a theological construct to a general representation, especially in digital gaming and online forums. The article acknowledges the "desacralizing process" of this cultural shift, influenced by Western secularism and scientific advancements. However, Jones also suggests that this widespread adoption, while diminishing the original sacred meaning, demonstrates the persistence of the avatar in our collective imagination and offers new avenues for authentic engagement with religious idioms. She cites early instances of the term's introduction to the West through Oriental Renaissance scholars and its subsequent reinterpretation in science fiction. Ultimately, the article encourages an awareness of the rich history of the avatara to inform its contemporary understanding, whether as a symbol of selfhood or as a gateway to exploring profound theological and spiritual possibilities of divine manifestation.

Published

2017-12-13