Celebrating Kṛṣṇa: Dancing for the Divine Dancer

Abstract

The article "Celebrating Krishna: Dancing for the Divine Dancer" by Mekhala Devi Natavar offers a deeply personal and insightful exploration of the author's journey and the profound connection between Indian classical dance, particularly Kathak, and the Vaishnava tradition, specifically the worship of Krishna. The author recounts her early fascination with Indian dance and Krishna devotion, leading to her dedicated study and performance of Kathak in Jaipur's Radha Govinda Devji temple. The article elaborates on the elements of Indian dance as described in Bharata's Natyashastra, distinguishing between natya (dramatic), nritta (pure dance), and nrtya (expressive), and discusses the overlap of classical, folk, and devotional dance forms. It emphasizes how Krishna's pastimes, especially the Raas Lila, are central themes across various Indian dance styles, including Odissi, Kathak, Kuchipudi, and Bharatanatyam. The author delves into the devotional aspect of Kathak, detailing its origins as storytelling (katha) by hereditary musicians (kathakaars) and its evolution with the bhakti movement. The article highlights the importance of bhava (moods) and abhinaya (expressions) in conveying Krishna's stories and the divine love of Radha and Krishna (madhurya bhava). It features poetic compositions like Vallabhacharya's "Madhurasthakam" and Mira Bai's bhajans, showcasing their integration into Kathak repertoire. Finally, the article acknowledges the significant influence of Vaishnava dance on Bollywood films, citing "Jhanak Jhanak Payal Baje" as a notable example, and concludes by asserting that dance serves as a powerful medium for experiencing love and communion with Krishna.