Music As Reflectaphor for Cosmic Order in the Vijayanagara Empire

Abstract

This article explores the profound role of music in the Vijayanagara Empire, where it served not only as an artistic expression but also as a "reflectaphor" for cosmic order and a potent means of spiritual realization. The author highlights the integral connection between musical theory and Hindu philosophical principles, exemplified by the sage Vidyaranya's influential treatise Sangitasara. Music, particularly the emerging Carnatic tradition, was patronized by kings as a source of harmony and was viewed as a way to tune into the eternal. Concepts like ÅkåΩa (ethereal space) and the anāhata nāda (unstruck sound) underscore music's perceived ability to connect human consciousness with ultimate reality and facilitate spiritual awakening. The essay emphasizes how musical practices, including prāṇa and cakra systems, were integrated into the pursuit of liberation, portraying music as a subtle yet powerful force for inner transformation.